Swept by a cloud of sand, clothes become sporty, camouflaged, light and airborne. Nylon tricots lined with organza, pullovers dusted with polynosic grains like the fine powder covering a wet swimsuit. Strong, well-constructed safari jackets. Parachute-canvas trousers. 
A gust of wind, a cloud of sand. Like a dream, the imprint of a thousand grains remains on the dress, tracing the curve of the bust, the voluptuousness of the hip. 
Transformed, alchemical, invented materials. Lycra dusted with leather and catalysed. Fabrics that appear mineral, vegetal, like wood or marble. Iridescent lycra and taffeta pigmented in brocade effects. Lustrous lingerie silk. Duchesse and shantung. Raw silk in buttery, creamy tones. Double, firm satins. 

Colours and graphics. The abstract chromaticism of neutrals – sand, earth, blue – dense colours or those with magical, powdery reflections of ancient metals. White-and-black organza graphics with the sheen of onyx. Mother-of-pearl iridescence: button embroideries, encrustations on designs and prints. The Oriental explosion of pink, saffron, bougainvillea and jasmine. 

The clarity of form: rounded, naturally supported, or close to the body. With occasional hints of an elongated silhouette. 
The compact layer of colour: red and black with touches of white. Ferré Red that blends, thins out, becomes an almost fluorescent pink. 
The transformation of fabrics and patterns through a magical magnifying lens that exaggerates and enlarges such as the overchecks of men’s coats laid over a chenille net that creates a chevron effect. 
The alchemical mixture of materials and nuances, of garments and forms: ruches like crests; pheasant feathers for the sleeves of a dress with almost imperceptible polka dots. The pleated nylon shawl that, over a T-shirt, transforms into the ruche of a fairytale animal. Point d’esprit like a gentle spotted motif; tulle feathers on the grey dress. Like pheasants and turtledoves in an imaginary aviary.