The lines: small rounded shoulders, reduced yet still significant; kimono sleeves with particular cutting solutions; many cardigan collars, many classic collars too, especially on shirts; fullness reduced in skirts, which become very similar – in practicality and function – to trousers. Underlying these elements of the new collection are specific technical solutions: unstitched overlapping triangular darts; panels; deep unpressed folds. 

The materials: waterproof mélange silk shantung, striped linen, wool pinstripe, cotton piqué, towelling, silk satin; cotton, linen, lambswool and cashmere yarns; pierced suede, solid-colour nappa or nappa in striking prints. 

The colours: the softest or brightest shades of dahlias, carnations, peonies, June flowers – also appearing as prints on crêpe de chine, on cotton poplin and on soft nappa leather. 

The accessories: multicolour foulards and scarves in unusual shapes; soft sack bags or large playful purses in printed leather; yachting shoes and espadrilles in canvas and nubuck with rubber or buffalo soles, or colourful pumps with ribbed heel. 

And so, lots and lots of trousers, and skirts either full – for comfort – or in a straight tube line; raincoats in heavy cotton duck and camel coats that cling closely to the figure; and even for evening, parkas surprisingly lined with lamé; or trousers and coat-dresses, absolutely linear, yet with back fastening and cutaway back necklines. 
In the materials used, the focus is on quality and on the careful search for innovative working techniques: swakara treated as if cloth; gabardine raised on the inside to achieve greater softness; menswear worsted acquiring a new sheen; the most classic tweed illuminated by tiny flecks of gold; organza, jacquards, silk taffeta becoming ever more precious. 
Precious and refined too is the play of colours: the natural tones of camel and vicuña, blended also in their deepest gradations, can be enlivened either by vivid shades or by flashes of gold.